The Independent tells the fascinating story behind these unseen photographs from the First World War:
The place, according to a jokingly chalked board, is “somewhere in France”. The time is the winter of 1915 and the spring and summer of 1916. Hundreds of thousands of British and Empire soldiers, are preparing for The Big Push, the biggest British offensive of the 1914-18 war to date.
A local French photographer, almost certainly an amateur, possibly a farmer, has offered to take pictures for a few francs. Soldiers have queued to have a photograph taken to send back to their anxious but proud families in Britain or Australia or New Zealand.
Sometimes, the Tommies are snapped individually in front of the same battered door or in a pear and apple orchard. Sometimes they are photographed on horseback or in groups of comrades. A pretty six-year-old girl – the photographer’s daughter? – occasionally stands with the soldiers or sits on their knees: a reminder of their families, of human tenderness and of a time when there was no war…
Within a few months – or days, most probably – many of the soldiers were dead. The “somewhere in France” where these pictures were taken was a village called Warloy-Baillon in the département of the Somme. Ten miles to the east was the front line from which the British Army launched the most murderous battle of that, or any, war, which lasted from 1 July to late November 1916 and killed an estimated 1,000,000 British empire, French and German soldiers….
More than 90 years later, at least 400 glass photographic plates preserving the images were found in the loft of a barn at Warloy-Baillon and cast out as rubbish…
The survival of the images is owed to two local men: Bernard Gardin, aged 60, a photography enthusiast; and Dominique Zanardi, 49, proprietor of the “Tommy” café at Pozières, a village in the heart of the Somme battlefields.
M. Gardin was given a batch of about 270 glass plates by someone who knew of his hobby. He approached M. Zanardi, who has a collection of Great War memorabilia, including a football dug up 12 years ago inside a British soldier’s rucksack. M. Zanardi, it turned out, already had 130 similar plates which he had gathered from other local people.
“About three years ago, someone bought a barn near Warloy-Baillon,” M. Zanardi said. “They found the glass plates in the loft and just threw them out as rubbish. Many of them were picked up and taken away by passers-by. I started collecting them and had reached over 100 when M. Gardin turned up with this great batch of 270. They must also, originally, have come from the same source. There may be many more out there which we have not yet been found.”
M. Gardin and M. Zanardi have had prints made, at their own expense, from the original plates. M. Gardin describes these as “9 x 12 centimetre glass plates, of the kind used at the time by amateur photographers. A professional would have used a camera with bigger plates, 18 centimetres x 24.”
And The Independent’ story ends with this public call:
Although some research has been conducted into the photographs, much hard work is yet to be done. Such compelling images must have a story attached; and with your help we hope to uncover as much of their fascinating history as possible. Click here to see how you can help.
Tags: Bernard Gardin, Dominique Zanardi, First World War, The Independemt, Tommies, Unseen photographs