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Friday, September 29, 2006

PHOTO AND/OR VIDEO-JOURNALISM?

"Video is the future for Telegraph photographers" says Stuart Nicol, the newly appointed London's Daily Telegraph Executive Editor (Pictures).

He tells to EPUK that the future of the Telegraph’s photojournalism lies in shooting video.

“Digital stills photography will, when we look back on it, form a very small period of time in the history of photojournalism."

“Telegraph photographers will undoubtably be shooting solely on video in the future, and certainly within a year we hope to be well advanced down that route.”

At the Press Association, where Stuart Nicol has been Group Picture Editor since January this year, all of their 42 staff photographers are now equipped with £300 Canon S3 cameras for shooting internet-quality video in addition to their existing Canon stills cameras.

ADVERTISING INVADES EDITORIAL SPACE

Newspaper designers are screaming against what they consider an "advertising invasion" into the newshole.

Well, as I said before, I don't have any problem with "premium space" for "premium ads", including front pages.

The question is, as always, real creativity.

In newsdesigner you will find a link to a PSD from the Newspaper Association of America (NAA), presenting some of this "new" ad formats.

But you will see a few good ones and a lot of bad ones.

Advertising creativity in print media is, I am sorry, still very, very poor.

Giving more freedom to bad ads will be a serious problem for newspapers that don't care about clean and easy to read design.

Here there are three excellent examples of good, bad and really bad ones:

1. The classifieds page is fine with me.

2. The Hiundai ad looks great but the double spread is a disaster. Wrong option again.

3. The Nashville Symphony ad makes the reading of he California piece very painful and the ad format does not make sense to me at all.


MOBILE ESPN MVNO CALLS IT QUIT

ESPN's Mobile Virtual Network Operator (MVNO) has decided to close its doors after less than a year of operations.

This is no surprise to me. At first I thought ESPN had developed a mobile service available to all US carriers but when I realized that it was indeed launched as a "carrier" I immediately thought it wouldn't last long.

We all value our content a lot but US consumers are not ready to defect their mobile carriers and even change their phones just to get a certain kind of content, much less if its of a single nature, in this case, sports.

I'm sure ESPN Mobile will do much better if and when they release their excellent mobile portal to any user in any carrier.

Mobile ESPN - Wikipedia, the free encyclopedia

Thursday, September 28, 2006

...AND NOW, LET'S KILL NEWSPAPER EDITORS. ARE YOU SURE? I AM NOT.

The newspaper killing season is open.

The Economist cover story wanted to kill the newspaper.

Steve Outing wants now to kill newspaper print editors, and substitute them by former online editors.

And Jeff Jarvis announces "the death of the editorialists."

"As newspapers face economic torture, it is time to ask whether they can afford editorialists when spare resources should go toward supporting their true value: local reporting."

Well, I am not sure that all these deaths will change and improve newspapers.

Newspapers are not dead, but they will kill themselves when they don't see the need of radical re-evolutions.

Newspaper print editors are not dead, but we will kill themselves when they don't see the need on bi-media, on and off line integrated newsrooms.

Newspaper editorialists are not dead, but they will kill themselves when they don't lead interactive opinion pages and public discussion forums.

My impression is that everybody has to re-think its role in this new media landscape.

From publishers and editors to reporters and visual journalists.

Let's not kill anything or anybody else.

We don't need more casualties.

Nobody is safe, sure, but at the same time the best way to survive is not a war but a passionate, engaging and compelling new way of journalism life.

This is an industry with too many years of confrontations.

Editors versus Publishers.

News versus Features.

Hard News versus Soft News.

On Line versus Off Line Journalism.

Words versus Images.

Pictures versus Graphics.

News versus Opinion.

Advertising versus News.

Mono-Media versus Multi-Media Companies.

Editors versus Reporters.

Print versus Broadcasting.

Infographists versus Illustrators...

Let's work together.

Let's integrate.

Newspapering is a team game.

We need less solo-players, and more orchestra-players.

Including the conductor-editors.

EXTRA, EXTRA, EXTRA: NEW DESIGNER FOR THE NEW YORK TIMES BOOK REVIEW


A few weeks ago we posted two comments about the terrible design of The New York Times Book Review, and now, oh my God!, we can announce that our voice has been heard.

Yes.

Steven Heller is out, Nicholas Blechman is in.

Heller, an excellent writer about design, but a terrible newspaper design editor, goes out for a 6 month sabbatical...

And next week, Nicholas Blechman, one of the most brilliant designers of The New York Times (working now in the Sunday section The Week in Review, that has improved a lot under his tenure) is taking over.

The readers of The New York Times are the winners.

What a great opportunity to change the Book Review!

My 10 first suggestions:

1. Tell me about the books, but also about the authors and the publishers.

2. Include more and more comments from readers (compare with Amazon reviews), authors and book publishers.

3. Add references and suggestions about similar books and similar issues.

4. Develop great cover-stories like:

"Is still New York the capital of the book publishing world?

"The next Da Vinci Code: The leading best candidates"

"The print book is dead. God save the printing book industry!"

"Why young people read more books and less newspapers than ever"

"Who is going to be the next Harry Potter according J. K. Rowling"


5. Compare best-selling lists, and explain the differences.

6. Publish the biggest flops, and tell us why these books fail.

7. Interview the world best on and off line book reviewers.

8. Expand the reviews to digital books, and to the new digital publishing industry.

9. Link, link, link to blogs, websites, chats, forums... and interact with your audience on and off line.

10. Improve the design dramatically, and after his 6 month sabbatical, fire Seteven Heller.

Amen.

Wednesday, September 27, 2006

HAPPY BIRTHDAY GOOGLE

Some people see Google as the enemy in our industry. I think we have a lot to thank them. For one, substantially improving the effectiveness of advertising and with that making advertising a viable model online.
8 years ago, few believed that advertising could be a sustainable business model on the Web but now, thanks in part to Google's advertising innovations, which have been copied by many, it is possible to be profitable with an advertising business model.


HEADLINES FROM MOSCOW

A team of INNOVATION consultants spoke in the last two days at the 2006 Expo Publishing Expo and Conference in Moscow.

Russian publishers and editors are changing.

A few headlines from our presentations:

-Javier Zarracina, Spain (infographics consultant):

"Newspapers need journalists, not artists."

"Infographists must be just visual journalists."


-Christian Oliver, USA (new media consultant):

"Traditional media must integrate on and off line news and commercial operations."

"Your audience is now a multi-media consumer, and you must reach them by any way available. Our newsrooms are becoming organizations in continuous deadline."


-Javier Errea
, Spain (design consultant):

"Readers demand new ways to present the news."

"The graphic-information pannels that we created for EXPRESSO in Portugal shows how you can innovate and improve your story-telling languages."


-Gianluca Bovoli
, Italy (editorial marketing consultant):

"Don't promote your newspaper or magazine without improving your editorial product. Many promotions don't work just because they are promoting the wrong product. Change the product first, and then invest on promotions."

"Games are back. See the great success of LIBERO in Italy with the political game LiberoTutti."


-Juan Antonio Giner
, USA (INNOVATION director):

"The newspaper industry is booming."

"You kill a newspaper when you don't change, and don't innovate."

"Multimedia newsrooms are a must. The question is not yes or not, but how."

"The Daily Telegraph is right now a good example of how a very traditional newspaper company has to change and innovate."

SONY E-BOOK READER BASED ON E-INK TO BE RELEASED SOON


Engadget has posted very good pictures of Sony's upcoming ebook reader, which has been postponed a few times.

This is the first consumer product to include the famous eInk technology. Supposedly, this screen should read just like paper.

It will be interesting to see what kind of welcome this device receives and how many publishers join its store.

See more pictures at Engadget:
Sony Reader PRS-500 hands-on + Connect Reader screenshots - Engadget

More information about the device in Sonystyle.com

THE ARMANI NEWSPAPER EDITOR'S DAY

Bono was a good editor for The Independent.

The paper sold almost 700.000 copies.

Last week, Armani did the same as editor of the paper.

This was his cover.

I am sure that the sales will be also bigger than normal.

My questions are:

Do we need celebrities to improve the sales of newspapers?

What if we replace current editors not justy one day but a full week?

What if we do the same replacing newspaper designers with the iPod or Nokia designers?

What if we replace our newspaper photo editors with magazine ones?

What if we rotate the editors position and every week the editor is a different reporter?

What if we try with the marketing director?

What if we offer the position to the advertising director?

Perhaps wer will discover better ideas, we will find better leaders, and we will sell more papers.

Tuesday, September 26, 2006

GOOD NEWS FROM MOSCOW

I am in Moscow for the new two days speaking at the 2006 Russian Publishing Conference and Expo organized by the Russian Newspaper Publishers Association (GIPP).

Timothy Balding , the first speaker, CEO of the World association of Newspaper (WAN) told the audience that Russia will become the fastest growing newspaper market of the world.

Some interesting data from his presentation:

-Newspapers are now a 180 billion USD global industry, reaching daily more than 1,2 billion readers.

-Rupter Murdoch is investing almost 1 billion USD in the new printing presses for his newspapers in the UK.

-The Courier and Mail in Australia is becoming the most successful case of the new "compact" newspapers with a 158% circulation growth.

-Free newspapers are now the circulation leaders right now in Denmark, Switzerland and Spain.

-Free papers capture in Demark 64% of the total circulation of the newspaper market, and 54% in Spain.

Timothy Balding said also that free newspapers are "inspiration for traditional newspapers."

THE NEW DESIGN OF EL UNIVERSAL IN CARACAS




























Pages from the new EL UNIVERSAL, the leading quality paper of Venezuela, relaunched last Sunday in a new compact formula redesigned by a team of INNOVATION consultants lead by Carlos Soria, Marta Botero, Guillermo Nagore, Daniel Lozano, Felipe Lamus, Juan Antonio Giner and Michael Fairhead.

The newspaper of Caracas is now working with Milenium, a state of the art new multimedia editorial system from PROTEC.

EL UNIVERSAL produces a new classifieds section in tabloid format that was designed by CRD.

PROTEC and CRD are international partners of INNOVATION.

Monday, September 25, 2006

THE NEW YORK TIMES: NEW FORMATS TO PRESENT NEWS & OPINIONS









Last week, The New York Times introduced subtle changes in order to differentiate news and opinions.

I didn't see too much coverage about this change, but in my opinion these are major steps that deserve a lot of attention.

Quality news-papers are becoming more and more "views-papers" and this is how The New York Times explained the new and old formats:


In its daily news pages, The Times presents both straightforward news coverage and other journalistic forms that provide additional perspective on events. These special forms — news analysis articles, columns and others — adhere to standards different from those of the editorial and Op-Ed pages. The news and editorial departments do not coordinate coverage and maintain a strict separation in staff and management.

All articles, columns, editorials and contributions in the newspaper are subject to the same requirements of factual accuracy.

This is the descriptions of the various forms:

IN THE DAILY NEWS SECTIONS

* Man or Woman in the News: A portrait of a central figure in a news situation. It is not primarily analytical, but highlights aspects of the subject’s background and career that shed light on that figure’s role in the current event.

* Reporter's Notebook: A writer’s collection of several anecdotes or brief reports, often supplementing coverage of a major news event like a summit meeting or an important trial. The items provide glimpses behind the scenes that flesh out the reader’s sense of a major story.

* Memo: A reflective article, often with an informal or conversational tone, offering a look behind the scenes at issues or political developments. The article (with a title like Political Memo, White House Memo or Memo From London) may draw connections among several events, or tell the reader who or what shaped them.

* Journal: A sharply drawn feature article focusing on a place or event (and labeled with the place name, whether foreign, national or regional). A Journal article is closely observed and stylishly written, often light or humorous in tone. It is intended to give the reader a vivid sense of a place and time.

* News Analysis: A close examination of the ramifications of an important news situation. It includes thorough reporting, but also draws heavily on the expertise of the writer. The article helps the reader understand underlying causes or possible consequences of a news event, but does not reflect the writer’s personal opinion.

* Appraisal: A broad evaluation, generally by a critic or a specialized writer, of the career and work of a major figure who has died. The article often accompanies the obituary.

* Review: A specialized critic’s appraisal of works of creativity — movies, books, restaurants, fashion collections. Unlike other feature writers, critics are expected to render opinions in their areas of expertise.

* News-Page Column: A writer’s regularly scheduled essay, offering original insight and perspective on the news. The column often has a distinctive point of view and makes a case for it with reporting. (Columns in the newspaper are displayed with the writer’s name and the column’s title inset into the text.)

The news sections also present a number of regular feature articles that carry labels indicating the topics – for example, the Saturday Profile in the foreign pages and Market Place in Business Day.

IN THE OPINION PAGES

* Editorial:A sharply written, generally brief article about any issue of public interest. Editorials are written by the editorial board of The Times, which includes the editorial page editor, the deputy and assistant editors, and a group of writers with expertise in a variety of fields. While the writers’ opinions are of great importance, the editorials also reflect the longtime core beliefs of the page. Unlike the editors of the news sections, the editorial page editor not only reports to the publisher, but consults with him on the page’s positions. Editorials are based on reporting, often original and in-depth, but they are not intended to give a balanced look at both sides of a debate. Rather, they offer clear opinion and distinct positions.

* Editorial Observer: A signed article by a member of the editorial board. These articles have a more distinct personal voice than an editorial. They often reflect personal experiences or observations, and may be written in the first person. These articles are not intended to be policy pronouncements, but do not contradict the board’s positions.

* Op-Ed Column: An essay by a columnist on the staff of The Times, reflecting the opinions of the writer on any topic. Columnists are expected to do original reporting. Some travel extensively. Op-Ed columns are edited only for style and usage, not for content. Columnists do not submit their topics for approval, and are free to agree or disagree with editorial positions.

* Op-Ed Contribution: An article by a person not on the staff of The Times, reflecting opinions about a topic on which the author is an expert or has provocative and well-reasoned ideas. These articles, most of which are solicited by the editors, are not intended to reflect the positions of the editorial board. Indeed, the Op-Ed page is seen as a forum to air diverse and challenging viewpoints.


BIG CHANGES IN EL UNIVERSAL, THE LEADING QUALITY PAPER OF CARACAS, VENEZUELA

Yesterday, EL UNIVERSAL (Caracas, Venezuela) with the help of INNOVATION, launched its new graphic and editorial formula.

The 300.000 copies of the new EL UNIVERSAL were sold out in a few hours.

The new editorial concept, designed by Marta Botero, a director of INNOVATION, includes new sections, more local, local, local coverage, in a more compelling and compact paper.

The graphic redesign was done by Guillermo Nagore, an INNOVATION consultant based in New York.

A new classifieds section in tabloid format produced by CRD, partner of INNOVATION, makes this traditional feature of EL UNIVERSAL, even more appealing to the market.

The leading quality newspaper of Venezuela follows a world trend of dramatic innovations and changes that includes the total "re-thinking" of these papers.

EL UNIVERSAL is another example of how "only the leaders change, and change because they are and want to be leaders."

Saturday, September 23, 2006

TOMORROW´S NEWSPAPER: 9 PROVOCATIONS

The INMA European Conference in Barcelona was excellent.

Earl Wilkinson, the Executive Director of the International Newspaper Maketing Association (INMA) was the last speaker and this was, in summary, his view about tomorrow´s newspaper:

1. Core print product will become smaller to fit consumer lifestyles – fewer pages, smaller page size, shorter stories.

2. Deep, rich journalism will move online and be enhanced in virtual universe.

3. Core product will be customized, interactive, and on-demand.

4. Miniature versions of the core product will target under-served groups.

5. Digital options will multiply – get the newspaper anywhere, anytime, anyway.

6. Newspaper features will be unbundled … iTunes pay-per-click model.

7. You will buy a multi-media “membership” in the newspaper, not a print subscription.

8. “Citizen journalism” will become another source for newspapers like Reuters, AP.

9. Less “voice of God” (monologue), more “mirror of the community” (dialogue).

Wednesday, September 20, 2006

EUROPEAN NEWSPAPER MARKETING GURUS MEET IN BARCELONA

I am in Barcelona.

Tonight the International Newspaper Marketing Association (INMA) opens it annual European Conference.

During two days, more than 250 newspaper executives will be presented with the latest trends and successful cases around the world.

I will keep you informed about them in the next few days.

But first things, first.

Newspapers in crisis?

Not really.

Today Le Monde confirmed the launching with the Bollore Group (Havas) this November of a new morning free newspaper in Paris.

Last week Cash Daily, another free business paper was launched by Ringier in Switzerland.

Next week in Italy, a network of almost free tabloids clonning El Periodico de Catalunya concept will start the conquer of the Italian market.

In Sweeden, three new free papers.

In London, two new free evenning papers.

In Portugal, Correio da Manha, the leading morning newspaper in Portugal presented last Saturday its new weekend colorful supplements, striking against the new O Sol, a low and middle class class 2 euro weekly tabloid that sold 126.000 copies, while the best newspaper of the country, EXPRESSO, sold two weeks ago 160.000 copies of its first new formula, selling then 200.000 copies last week and announcing another 200.000 copies for this Saturday.

The Portuguesse press is booming.

In Spain, 4 national free papers (20 Minutos, Que!, Metro and ADN) distribute from Monday to Friday more than 4 million copies, while the 115 paid newspapers sell more or less the same 4 million copies that they were selling before the boom of the free papers.

Newspaper crisis?

Well, not in Barcelona, not in Spain, not in Europe!

Tuesday, September 19, 2006

THE TRIBUNE RESPONSE TO LOS ANGELES TIMES REBELS

Well, here there is the response from Chicago:

Tribune Co. CEO Dennis FitzSimons, responding to a letter from some of the most powerful civic leaders in Los Angeles, defended the company's management of the Los Angeles Times and gave no indication the company was willing to consider the newspaper's sale.

FitzSimons's response comes amid rising tension between Tribune management and the newspaper's editor and publisher, both of whom have resisted company pressure to make further layoffs.

The standoff could force the departure of Dean Baquet, editor and Jeffrey M. Johnson, publisher (very soon, you will see)

Los Angeles Times is the fourth-largest newspaper in the country by circulation and makes up nearly a quarter of Tribune's publishing division, which includes the Chicago Tribune and New York's Newsday.

Tribune's newspapers account for about three-quarters of the company's revenue.


In the letter, Mr. FitzSimons said the Times's revenue is below where it was at the time of the Times Mirror acquisition in 2000, indicating that further cuts may be necessary.

"Tribune has also made over $250 million in capital investments in the Times, designed to further improve quality of the newspaper," he said.

"In terms of editorial expense, the portion of the Times's total revenues dedicated to news coverage is currently almost double what it was during what many refer to as the 'golden age' of the newspaper, under publisher Otis Chandler," he said.

"It is also higher than in 1999, prior to our acquisition of Times Mirror.

In fact, the Los Angeles Times has the largest editorial staff and budget of any metropolitan newspaper in America without nationwide circulation."

Another reason to question the current model.

And another reason to expect very soon new victimis of this open corporate battle.

WHAT THE ECONOMIST REALLY SAID

INNOVATION had some internal discussion about The Economist cover story, and I got this comment from Carlo Campos (one of our directors and senior consultants, CEO of LATINO, the leading free paper for the Latin American community in Spain, with regionasl editions in Madrid, Barcelona and Valencia), that deserves to be shared with you:

"I read The Economist article and think that the only problemwith it is the title which, understandably, is more sensationalistic than accurate.

I believe that what the article says is that the current BUSINESS MODEL of the newspaper is dead, as opposed to newspapers as acredible source of news, information, opinion, entertainment etc (which is something they actually also question in the editorial).

I don´t agree that the current business model for newspapers (paper platform, cover price and advertising) is dead yet, but it is certainly showing some signs of having passed maturity.

As such, I couldn´t agreemore with what INNOVATION in general reccomends:

- Improve your ways of delivering the current business model to satisfy both your clients (readers and advertisers)

- Use what you have to start a multimedia turbine and get all those people who never buy paper without forgetting those that have never been on the internet

- Experiment with new business models (and editorial models) for the newspapers.

My obvious example is free newspapers which are quickly becoming an important business world wide.

I would like to add that something that is mentioned in the article and that Karen from Arizona said at the WAN (and that we in INNOVATION also comment frequently but perhaps not enough) is quite important nowadays -newspapers should forget about "café para todos" and segment their readers properly, offering different products via different platforms for each appropriate reader segment.

And each one of them with perhaps adifferent business model as well.

In sum, I think (and I belive that is the main message from TheEconomist) that what is dying is not the Newspaper, but rather Newspaper Editorial Companies, which refuse to adapt to a new competitive environment and innovate.

And that is a message that is very favourable to INNOVATION and the work we do."

Carlo is right.

My feeling is that many people have not read The Economist pieces.

But, yes, this is the real meaning of a quite sensationalistic cover.

Monday, September 18, 2006

WHAT IF THE NEW YORK TIMES SELLS THE BOSTON GLOBE?

BreakingViews says that it will be a good idea.

I agree.

LAGARDERE IS IN TROUBLE

Lagardere, the French media and aerospace group, announced a reorganisation of its Hachette Filipacchi Medias magazine and newspaper division, whose titles include Paris Match, Elle and Marie Claire.

They are in trouble, but instead to accept his own mistakes (like firing the editor of Paris Match for being

Arnaud Lagadere said that the press has "little future in its present state" and that "we're moving towards the dismantling of its traditional support structure."

"The press has ten years left. Production costs will become unsustainable."

"Our adaptation will not consist of making a systematic and mechanic transfer of our press to the Internet. That would be a mistake. Our advantage will remain in the richness of our content. We will not submit to the mutation of modes of consumption; on the other hand we will play a part in their evolution."

'We are a magazine company and we will remain one,' he said.

In panic, he has hired a telecom guy to lead the internal revolution, like RCS did a few months ago (and today he is out).

Good luck, Mr. Largardere.

The press stays, but publishers and editors go.

THE NEW YORK TIMES NEW BRANDING CAMPAIGN: "QUALITY JOURNALISM. PERIOD"

The New York Times is introducing today a multi-platform branding campaign emphasizing its reporting.

Watch 'New York Times' new ad, fashioned around the tagline 'These Times Demand 'The Times.''

The tagline, first used in the mid '80s, was "These Times Demand The Times."

But the news commercials, which include footage of Times reporters inside headquarters on 43rd Street, conclude: "It's about the quality of the journalism. Period. End of story."

You can watch here a preview of the spot.

STEALING VOTES: THE MIAMI NIGHTMARE IS NOT OVER

The Princeton University Center for Information Technology Policy is right:

You can manipulate computer voting machines.

You can see how and why in this report and video.

What you can see in this demostration is very disturbing.

THE LAST DAYS OF LIBERATION SEEN FROM LONDON

The Observer reports about the final days of Liberation.

I am sorry but they are wrong.

This is not an ideological crisis.

It is a professional one.

A new owner that does not know anything about media.

A newsroom that does not wants to change.

And an strong brand that will survive, does not matter if the current newspaper goes away.

Liberation is more than a newspaper.

Sunday, September 17, 2006

NEWSPAPERS OFFERING VIDEO NEWS ONLINE

Visualmente, an excellent blog in Argentina, reports how the websites of three newspapers of this country, Perfil, Clarin and Infobae, are becoming addicted to video formats.

Two of them have their own television channels, but Perfil not, and that is not a problem.

Good trend.

THE (AB)USE OF COLOR

Well, the Sun-Sentinel wants to show you that they can print a lot of color, and here they go.

Really bad, really bad.

Following the pattern of the new Folha de S. Paulo that also has lost the sense and direction in the (ab)use of color.

Less is more.

THE NEW YORKER EDITOR IN THE OBSERVER

"The quiet American"

Read this portrait about David Remnick, the editor of The New Yorker.

Published in last week London´s Observer, the piece starts saying:

It's a magazine that runs 10,000-word articles on African states and the pension system, has almost no pictures and is published in black and white. So how does the New Yorker sell more than a million copies a week? Gaby Wood meets David Remnick, its big-brained editor, and talks speed writing, 30-hour days and meeting Little Ant and Little Dec.

Here you can read the hole article.

LOS ANGELES TIMES: THE EDITORS REBELLION

Tim Rutten writes in the Entertainment (!) page of Los Angeles Times a column about the internal fight between the editors of the paper and the Tribune directors.

Bertrand Pecquerie selects in the editors weblog the key quotes:

In Los Angeles, Jeffrey M. Johnson, this newspaper's publisher, and Dean Baquet, its editor, told one of their own reporters that they have rejected demands by the Tribune Co. to further cut The LA Times' staff. Since taking control of the paper six years ago, the Chicago-based Tribune has laid off or bought out about 20% of the paper's then-1,200 person staff."

"Make no mistake, the Los Angeles Times — like most other American newspapers — is more than profitable. The newspaper you're currently holding generates a 20% profit margin, a figure that would give most Fortune 500 chief financial officers a spontaneous orgasm."

"There's a simple truth at work here: A newspaper that is indifferent to its bottom line goes out of business; a newspaper that thinks only of its bottom line has a business that isn't worth saving."

The column ends with this strong and realistic words:

"American newspapers are passing through an era not only of technological change but also one in which a corporate ownership model seems increasingly unworkable. If the Tribune Co. does not feel able or willing to resist its investors' unreasonable demands on behalf of the public's interest, then it should put The Times into the hands of somebody who will."

Well, this is my take:

1. The editors will resign.

2. The Tribune will sell the paper.

My feeling is that the Tribune group is going to be the next Knight-Ridder.

Very soon.

Said all that let me add that Los Angeles Times needs a lot of editorial changes.

This kind of multi-section broadsheet metropolitan newspaper is a model in crisis.

Saturday, September 16, 2006

THE NEW EXPRESSO: SOLD OUT AGAIN

This morning, in just a few hours, the second issue of the new EXPRESSO was sold out again.

Last week they printed 160.000 copies.

This week the paper printed 40.000 more copies.

Next week they will print again 200.000 copies.

This is a record in the history of the Portuguese press.

THE DAILY TELEGRAPHS MOVES TO ITS NEW OFFICES

1882: This was the new building of The Daily Telegraph in Fleet Street.

The Telegraph moved to Docklands from Fleet Street in 1987 and to One Canada Square in Canary Wharf in 1991.

Its former Fleet Street building is now occupied by the investment bank Goldman Sachs.

The publisher of The Daily Telegraph and The Sunday Telegraph is planning to move next Monday from Docklands, its home for 18 years, to state-of-the-art offices in Victoria Plaza on Buckingham Palace Road.

The Daily Telegraph and The Guardian report about the big move:

The Victoria Plaza office development, close to Whitehall and Westminster, has been bought by Press Holdings Group, the publishing business controlled by Sir David and Sir Frederick Barclay, the owners of the Telegraph Group.

At the same time, the company announced it will be changing its name to Telegraph Media Group.

"These changes are a clear sign that our business is moving forward in a positive and dynamic way,'' said group chief executive Murdoch MacLennan.

"The new name will reflect the modern, competitive and diverse nature of our business and the variety of products - from papers to Podcasts - that we have to offer.

''The move to a state-of-the-art office in the middle of London will put us right at the centre of the action for business, commerce and politics. 2006 is going to be an exceptionally exciting year for the Telegraph."

Victoria Plaza boasts approximately 230,000 sq.ft of office space. The Telegraph will occupy about half of that - two floors - with the remainder made available for rent.

For the first time the entire Telegraph editorial staff will be housed on a single floor, spanning 65,000 sq.ft. It is the former trading floor of stockbroker Salomon Smith Barney, which is now part of the world's largest bank Citigroup.

Rupert Murdoch's News International started the Fleet Street exodus by switching his titles - which include The Sun and The Times - to a heavily fortified plant in Wapping in 1986.

One of our consultants, Mike Fairhead, was there.

Reuters was the last major media group to leave Fleet Street earlier this year, when it relocated to Canary Wharf from its Grade One listed headquarters of 66 years.

In the gleaming glass and concrete complex, the newsdesk will be abandoned for a "news hub", subeditors replaced by "production journalists", and writers expected to deliver not just one finely honed story for the next day's broadsheet but web stories throughout the day, podcasts and potentially vodcasts too.

Telegraph executives charged with moving from Canary Wharf want the exodus to coincide with a new way of working, one that will break down any barrier between "old" and "new" media in a fully integrated newsroom.

It is a relocation being watched with keen interest by other newspapers, including this one, which are also grappling with the issue of how to deliver their journalism to global audiences across a range of platforms from newsprint to pdfs to iPods. And, of course, how to make money in the process.

Lewis is promising an "unheard-of training programme" to integrate all those elements into a coherent whole where "content" is delivered at five "touchpoints" throughout the day.

Extensive research has shown, he claims, just what Telegraph readers want - text in the morning whether on the web, on mobiles or in print, video at lunchtime, audio in the afternoon, "click and carry" pdf documents for the commute home and communities based around shared interests in the evening.

At the heart of the debate is whether all these elements are best delivered by specialists or reporters can be retrained to multi-task.

The Telegraph has put its eggs firmly in the latter basket: "We don't want them and us any more. We want one Telegraph to ensure the highest quality content," says Lewis.

Telegraph staff are to be given five days' training to introduce them to 38 different "multimedia bits" from podcasts to mobile headlines.

A video journalist is to be appointed shortly.

Newspaper executives are wary of breaking down the financial details, saying only that they run into "many millions".

Yet, just two years ago the group announced a £150m investment in printing plants.

At the end of next month it is expected to announce the terms of its printing contracts.

The new media world is working out to be quite an expensive one.

Last week, when MediaGuardian was treated to a tour of the Victoria HQ, it still bore the signs of a massive refurbishment programme.

Blue carpet had been laid across the entire 67,000 sq ft space but there were no desks or chairs.

The curvaceous reception area with its not yet operational escalators will lead up to a proposed cafe area.

The group will occupy two floors, with commercial departments and meeting rooms overlooking the main news area, while renting out the rest.

The plan is for most senior editors to sit in a central "hub" in the middle of a room understood to offer the biggest open-plan space in London.

They will be surrounded by "product" heads in charge of areas such as online, video and audio and "content heads" - more typically known as heads of departments such as business, foreign and sport.

The rationale is that far from being made up of Luddite retired colonels, the Telegraph's core readership is actually more active, richer and more web-savvy than most.

The papers, owned by the Barclay brothers, commissioned research into when and how their readers want news.

Lewis believes that the Telegraph's typical readers - older and wealthier - offer the paper a great opportunity as they sign up for broadband services and spend more time online.

Back at Canary Wharf, while "acting" editor John Bryant is generally well thought of for soothing frayed nerves in the wake of the tumultuous Barclays takeover, subsequent changes and the arrival of a swathe of new executives and senior editorial staff, last week's announcements seemed to many less a brave new world and more the same old song.

The recent departures of two popular members of the "old guard", deputy editor Neil Darbyshire and foreign editor Alan Philps, further destabilised staff still raw from cuts 18 months ago that led to one in six journalists losing their jobs and further emphasised the "top-heavy" nature of the newsroom.

All the big beasts hired during the frenzy that followed the Barclays takeover - Jeff Randall, Simon Heffer, Lawrence Seer - are still around and drawing equally big salaries.

In his last email to staff, Philps summed up the mood: "The end of 15 years at the paper came suddenly, leaving me full of sadness and not a little confused.

The past three years have been difficult ones, with changes of editor, budgetary battles and uncertainty about the future direction of the paper."

Just two days after the relocation had been announced, a letter went out to staff informing them of 133 job cuts across the group, including 54 in editorial.

Meanwhile, the National Union of Journalists was voting to ballot members for industrial action.

"We realise that changes are necessary in some areas because of what is happening in the industry, but none of this makes it acceptable for a highly profitable enterprise like the Telegraph to alienate and ignore staff in this way," said NUJ national newspaper organiser Barry Fitzpatrick.

"Management have behaved in an extremely underhand manner and we continue to have no faith that they intend to consult meaningfully."

Former Telegraph managing director Hugo Drayton, who played an integral part in the early development of the paper's web operations but left in the regime change that followed the Barclays takeover, said the problem was less one of modernisation than of morale: "At that place, it's so low.

In the light of that, the management challenge is whether they can keep the show on the road.

I think they've signed up to a kind of press release politics and that's dangerous."

While most journalists on the papers recognise the need to adapt to the digital landscape and the rapidly changing media consumption habits of younger readers, there is little consensus on the best way forward and little faith that those higher up the chain of command can deliver.

Lewis has never run a web operation before.

By making the brave move to Victoria, the Telegraph is hoping to leapfrog its rivals, turbocharge its metamorphosis from newspaper to digital brand and cement its future.

To do so, it will have to take staff and readers with it.

From next Monday, the first Telegraph journalists to move into the newspaper's new home will have a window into the digital future.

Staff - from cartoonist Matt at one end to Sunday Telegraph editor Patience Wheatcroft at the other - along one side of the enormous editorial floor will be able to signal across the street to those in the London headquarters of web giant Google.

The Daioly Telegraph reports here about its new facilities.

DAGENS NYHETER VERSUS DAGENS INDUSTRI

Media Culpa reports about the last opinion polls in Sweden:

Dagens Nyheter: The gap between left and right has increased.

Dagens Industri: The gap between left and right has decreased.

Well, both newspapers are published by the same company, Bonnier.

A perfect example, if not of synergy, at least of "internal competition."

ORIANA FALLACI, JOURNALIST

Reading this magnificent obituary in The Times of London you realize two things: Oriana Fallaci was a great journalist, and The Times knows how to to great obituaries.

Journalist of brutal honesty whose interviews with the world’s leading personalities left few unscathed

SUBJECTIVITY and passion are characteristics not always conducive to successful journalism. But Oriana Fallaci made them her watchwords and combined them with a brutal honesty. It was as much her fiery and unforgiving personality that made her Italy’s best-known and most controversial exponent of her trade as her record of revealing interviews with the likes of the Ayatollah Khomeini and Henry Kissinger.
It was her abundant rage and pride that in the last years of her life brought her both her widest readership and led to her being charged by an Italian court last year with the crime of denigrating Islam.

Fallaci’s sense of mission sprang from a childhood spent under Mussolini, and specifically in German-occupied Florence, where her father was one of the leaders of the Resistance. Thereafter she became preoccupied with power, its abuse and those who wielded it. She saw herself principally as a representative of the voiceless and repressed — especially women — and used her interviews fearlessly, even recklessly, to challenge those in authority.

Her articles did not read as dialogues, much less as a coolly objective profile of her subject, but as abrasive statements of her position on matters such as the Cold War or Islam’s teaching on women. This peculiarly Italian directness — what her race sees as an avoidance of the Anglo-Saxon hypocrisy of false politeness — she once justified thus: “I am the judge. I’m the one who decides. Listen, if I was a painter and I was doing your portrait, have I or haven’t I the right to paint you as I want?”

This stand inevitably led her many critics to criticise her as an egomaniac, but despite her reputation she consistently succeeded in catching her interviewees off-guard. Thus when in his pomp, Kissinger admitted to her that he pictured himself as a lone cowboy waiting for the caravan to catch up with him, a remark which undermined his standing; he later reflected that it was the most disastrous admission he had ever made to the press. In 1972 similarly incautious comments about Indira Ghandi by Pakistan’s leader, Zulfikar Ali Bhutto, jeopardised a projected peace treaty between the countries. For his part, meanwhile, Khomeini admired Fallaci’s cheek when she wore make-up to their interview and vented her spleen about the indignities of the chador.

Though her temperament was of the Left, the keystone of it was the value she placed on personal freedom, a trait which led her into an almost unquestioning admiration of the United States. Latterly, she had made her home in Manhattan, and it was the events of September 11, 2001, that triggered the last and most contentious phase of her career, as a polemicist.

Two weeks after the attacks she wrote for an Italian newspaper a hostile critique of Islam — specifically, of the demands of Muslims to follow their cultural practices in the predominantly Christian West. The highly positive reception with which this met in her home country, one of the most homogenous and least multi-cultural in Europe, prompted her to expand it to book length, as La rabbia e l’orgoglio (The Rage and the Pride, 2002). It sold more than a million copies in Italy and several hundred thousand elsewhere in Europe.

Since its literary merits were slim, reading, as it did, as part memoir, part intemperate call-to-arms, its arguments rarely coherent, its success must be attributed to its having caught the mood of the times. Ironically, though one of Fallaci’s concerns was that what she saw as the servility of Europeans in the face of Islam’s imperial ambitions was caused by their having forgotten the lessons of the Second World War, the cheap potency of The Rage and the Pride recalls above all the rabble-rousing of the Fascist leaders.

As the War on Terror progressed, Fallaci followed it with several other publications of the same kind, notably La forza della ragione (The Force of Reason, 2005). Amid a round of attacks on her in the press by moderates and extremists alike, Fallaci was charged by the Italian authorities with vilifying a religion recognised by the State. She had hoped to live to testify at her trial, but the case never came to court. For some years she had been suffering from cancer and her condition worsened. A few days ago she returned to her home town, and she died in a Florence clinic.

Oriana Fallaci, the eldest of three sisters, was born in Florence in 1929. Her father was a cabinet-maker who early became active in the anti-Fascist movement, while her paternal uncle was a noted journalist.

Among her early memories was seeing Hitler when he visited Florence in 1938. In 1943, she and her family took refuge in a church when the Germans began blowing up the Arno bridges. Seeing her crying in terror, her father slapped her and told her that she must never show her tears again, an admonition she took to heart. After leaving the Liceo Galileo at 16, she enrolled briefly in the medical school at Florence University, but having decided that she wanted to write she then took a job with a local newspaper, working first on the crime beat.

By the mid-1950s, she was a correspondent for Italian magazines such as Epoca and L’Europeo, soon coming to specialise in wars. “What really pushes me is my obsession with death,” she said. She reported from Vietnam, where she irritated many liberals by criticising what she saw as the North’s Stalinist regime. Many years later she covered the Iraqi defeat in Kuwait.

She published her first book, an examination of Hollywood’s ills, in 1958. But for much of her career the books on which her literary reputation depended were the novels Lettera a un bambino mai nato (Letter to a Child Never Born, 1975) and Un uomo (A Man, 1979). Both stemmed from the most important romantic relationship of her life, that with the Greek political activist Alekos Panagoulis, whose lover she became two days after interviewing him. Panagoulis had been imprisoned and tortured in the late 1960s for planning to assassinate members of Greece’s military regime, and in 1976 he died in a car accident that many assumed to be murder.

He and Fallaci had been together for a stormy three years, and the two novels celebrate both the child of his that she was carrying but lost, and his political struggle. Like her other most notable work, Insciallah (1992), a fictional account of the Italian involvement in Beirut during the civil war, the books are uneven mixtures of headlong prose, unprocessed emotion, shrewd insight and bathos, dominated by an inescapable authorial voice.

Oriana Fallaci was short of stature and always elegantly, even severely dressed. She lived in spartan fashion, working slowly and obsessively, her only vice being cigarettes. Though an atheist, she was an admirer of the present Pope, who she liked to think shared her concerns about Islam.

Oriana Fallaci, journalist and author, was born on July 29, 1929. She died of cancer on September 15, 2006, aged 77.

Friday, September 15, 2006

YOU TUBE SHOWS THE OTHER CHINA

Read here the story about this video.

An amateur took this video and posted in You Tube.

The police confronts an university protest.

The censors were unable to stop these images.

And thanks to Internet we get the video.

You can control the old media, but the government of China is having a hard time trying to stop the release of this kind of messages.

AN INFOGRAPHIC POSTER

This is a poster produced by the Canadian Government during World War II.

Our infographists can learn a lot from this early graphic package.

Sober, informative, clear and useful.

Thursday, September 14, 2006

LIBERATION CALLS TO THE READERS

Liberation wants help from its readers.

A "Readers Society" will be added to the current "Societe des Redacteurs"

In today´s paper there is this long and dramatic piece (in French) explaining the reasons of what could be last chance of survival.

The last chance?

Yes.

The circulation is going down, and the losses for this year could be more than 9 million euros.

The new owner seems to be lost and with no clue about what to do with this amazing brand.

NYT TV STATIONS AS UNDERDOGS

Jone Fine writes in his blog about The New York Times television business, and shows that was no so good business:

Last year, the Broadcast Media Group accounted for approximately 4% of the Company’s total revenues. In 2006, the Company expects the Group will have revenues of approximately $150 million and operating profit of about $33 million. Depreciation and amortization is expected to be approximately $10 million for the year.

That gets you to $43 million in EBITDA (earnings before taxes, interest, depreciation and amortization) on revenues of $150 million, for an EBITDA margin of 29%.

To put this as simply as possible, 29% is an extremely low margin for TV. TV stations generally post profit margins in the thirties and forties. If I may toggle to a slightly different profit metric, in 2005 Gannett's 21 broadcast station posted operating profit margins of 42.2%.

The Times' projected operating margins for '06: 22%.

MORE KNIGHT-RIDDER TALENT

Yahoo is starting a classifieds listings business.

As local search, online classifieds, and Web business directories continue what seems to be an inevitable merger, Yahoo has planted a stake firmly at the crossroads.

The firm announced today a new classifieds and listings division and the appointment of newspaper industry veteran, Hilary Schneider, to steer the U.S. unit.

In her role as SVP of Marketplaces, Schneider is charged with developing the division's classifieds and listings strategy, including introducing innovative ways to profit from Yahoo's various listings offerings.

The Marketplaces unit will encompass the broad array of Yahoo's listings properties, including Autos, Classifieds, HotJobs, Personals, Real Estate, Shopping and Auctions, Travel, and Yellow Pages.

Schneider most recently hails from now-defunct newspaper publisher Knight Ridder, where she co-managed operations and led its digital division as SVP. In the past, she held CEO positions at Red Herring Communications and Times Mirror Interactive. Schneider also served in multiple roles at The Baltimore Sun Company.

Let´s hope that Yahoo! survives with the help of another talented executive that swa the sinking of a newspaper Titanic called Knight-Ridder.

EX MANAGERS OF KNIGHT RIDDER START A CONSULTING FIRM

This is great:

Three former Knight Ridder executives have launched a San Jose, Calif.-based consulting firm, Leading Edge Associates (LEA), to help companies with management assessment and training, strategic planning, succession management, and workplace diversity.

Larry Olmstead, who was in charge of recruiting, training, and leadership development at Knight Ridder until last June, is president and executive consultant of LEA.

He is joined by Jerry Ceppos and Marty Claus, retired vice presidents of news at Knight Ridder.

Ceppos and Claus are consultant associates.


I love the "succession management" skills from a company that did not make it.

And what about "strategic planning" expertise from a company that is gone?

This is getting better than ever.

They must hire Tony Ridder as President!

Wednesday, September 13, 2006

CASH DAILY: RINGIER´S NEW FREE PAPER

Working for many business papers in the last few year, we use to call CASH, "The Rolling Stone of the Swiss Bankers"

The reason: a brilliant weekly formula, with great graphics, full color, and a mix of news and features with a touch of humor.

Well, now here it comes CASH DAILY, the first free business paper in Switzerland.

Ringier began distributing its planned free paper last week.

The paper is focused not only at bankers in Zurich but also at the everyday people with sections dedicated to covering consumer demand.

Although it launched with 100,000 copies, the 24-page full color paper plans on a daily distribution of 75,000 in the long term.

The tabloid-formatted daily is complemented by its electronic edition which includes multimedia offerings, outside links and a mobile service.

This is going to work.

You can read an excellent report at swissinfo, and also watch two videos about the new paper.

In the picture below, Michael Ringier at the launching party.

A MAP FOR USA WEBSITE TRAFFIC

The UBS Investment Research includes this map about the web destinations in the USA (August 2006).

The top sites by page views are:

1) Yahoo!
2) Fox Interactive Media
3) MSN-Microsoft
4) Time Warner Network
5) eBay
6) Google
7) FACEBOOK.COM
8) Craigslist
9) Viacom
10) Comcast

Fox jumps to #2 thanks to MySpace.

When you change the metric to uniques, the list changes in some interesting ways, and looks like this:

1) Yahoo!
2) Time Warner Network
3) MSN-Microsoft
4) Google
5) eBay
6) Fox Interactive Media
7) Ask
8) Amazon
9) New York Times
10) Verizon

You can get the full report in this pdf.

DE VOLKSKRANT: THE FIRST INTEGRATED DUTCH NEWSROOM


Oliver Luft in joiurnalism.co.uk explains the plans for the first integrated newsroom on a Dutch paper:

The Telegraph is about to make a pioneering move to become the UK's first integrated multimedia newsroom.

Looking much like the deck of the Enterprise, it unveiled its new newsroom last week. When it moves in, next month, the Telegraph plans to significantly alter its publishing focus, entering a brave new world of converged editorial coverage.

To look at what the future may hold Journalism.co.uk took an exclusive tour of de Volkskrant, one of Holland's leading quality papers, to see a newsroom already a year down the road to full convergence.

"I like to think of us as an online newspaper that prints an edition once a day," said Pieter Kok, publisher of the daily broadsheet.

"The multimedia approach is quite simple, if customers change their approach to news then we change with them," he added.

"If you ask a person of 15 years of age or a person of 50 about the news, at the end of the day they know the same amount.

"It is just that the 50-year-old gets it from newspapers and the 15-year-old grabs information from several places, from Messenger, mobile phones, the internet and TV.

"It is not really important how they got it, just that they got it from a trustable source."

The larger-than-life ex-lawyer has taken charge of the development of convergence. He started the process in September, last year, but change at the paper has been evolutionary rather than revolutionary.

In addition to the daily 300,000 circulation of print edition and standard web text and podcasts, de Volkskrant has developed a raft of advanced news products.

It offers an RSS news feed that also aggregates news from other sources, an afternoon PDF download, an E-paper, a news cruncher - essentially an MSN Messenger buddy that instead of chat offers text and video news in the conversation window - and web TV, where the paper buys in agency video reports to merge with its in-house productions.

De Volkskrank, Holland's third biggest print paper, also owns a radio station and will soon begin trials of Go TV, a video news service, in Amsterdam taxis. A sponsorship deal with Volvo is about to add a mobile audio and video studio to the paper's armoury.

"We really want to be a front runner worldwide with these new technologies," added Mr Kok.

"New software means we will be faster and better on the internet, where we want to be the primary source of news."

Mr Kok claimed that splashing cash on these technological innovations has led to the site getting 1.1 million unique visitors and 25 million page views every month. For comparison, the ABCE figures for the Telegraph in May were a little more than 47 million page impressions. To put this in context, you need to bear in mind that the Telegrah does not publish exclusively in Dutch to a domestic population of 16 million.

Much like the Telegraph, de Volkskrant is about to move into new premises that are better suited to its convergence needs. But it already publishes different web products throughout the day and uses the 'hub' principle with key editorial and marketing decision makers sitting together at the centre of the room, surrounded by journalists grouped into production areas. Key teams are located side by side to ease co-operation and marketing and editorial staff are mixed, ensuring that they work together on integrated training and development projects.

"This way of working should decrease the time to market for our new initiatives as they will be working together on these projects from the start and know them completely," said Mr Kok.

Yet despite heavy investment, great technological advances and team integration, Mr Kok believes his paper has only achieved 40 per cent of what it needs to do before he considers it totally converged.

The move from the Wibautstraat to new premises in the city is not just a technological and logistical necessity. According to Mr Kok, there is a far bigger barrier to scale, one that money alone will not solve - it is about taking advantage of the mind shift of changing premises.

"We want to take advantage of the psychology of moving premises to change the structure of working, people will be more open to this change if it's combined with a shift of premises," he said - a view reflected in the newsroom.

A change in mindset is key to successful convergent. Arie Elshout, deputy editor in chief, told Journalism.co.uk: "When people have a scoop, they still want to keep the scoop for the front page.

"We still have a lot to do to get reporters to change how they think and get them to allow those stories for the web page.

"To change how journalism is organised here is difficult. We are a progressive newspaper, but journalists are conservative, they don't like change to their routines.

"I don't know anything about the new technology, I'm 52, I'm an old-fashioned print journalist, so even I need to get to know how to do it."

For the last year, de Volkskrant has been sending groups of its staff to Ifra's training newsroom in Germany to learn how to run an integrated publication across a myriad of platforms.

Mr Elshout said editorial staff have been enthused by the experience and have returned home keen to adopt new news strategies, but a lack of experience has led to an ad-hoc approach.

"Every day we evaluate the paper but we don't evaluate things like podcasts, because we are not experts in it, we need to have people from radio and TV to do that.

"It will come in the second phase of development as we are going to bring in a permanent education programme to ingrain new beliefs.

"At present there is no structure, there is just the initiative of journalists. It's very amateurish to rely on the good will of people, so we need structure.

"No-one is evaluating what we do, it's not professional, but it is pioneering. The challenge of the second phase is to become more professional in what we do."

As part of the drive to professionalise its new technological advances, the paper has hired a journalist from Radio Netherlands to oversee work in the audio/video department.

Mr Elshout also said that the expansion of this service means he needs to hire more specialist reporters so that they can make more films in-house (currently they make one or two a day) and rely less on films from news agencies.

Surprisingly, Mr Elshout claimed that multimedia training did not mean that journalists would be multi-tasking, creating video reports and writing text of the same stories.

As part of the drive to make jobs unique to a specific discipline, he has converted a former newsroom hack into a video journalist to solely work on making films.

He also said the multi-faceted news strands would require expertise in each area and a back-up team offering constant training, support and evaluation.

As Mr Kok kept saying: "Convergence should cost money, but it is all about saving money in certain areas to spend money in the other areas that can make money." Money in itself should be no object.


Well, let me just maske one comment:

Convergence is not integration.

The full process according to our experience is:

First, diversification.

Second, convergence.

Third, integration.

Diversification is a media portofolio strategy.

Convergence is just a technological reality.

Integration is a management issue.

"The Newsroom of the Future" will be one the presentations at the European INMA Conference next week in Barcelona.

The speakers will be Pieter Broertjes, Editor in Chief and Pieter Kok, the Publisher of the paper.

The topic:

"De Volkskrant has restructured its newsroom to operate across media platforms. Learn the practical details of this structure, the positives and negatives, and what tangible results can be shown as a result of change."

Another reason to be in Barcelona next week.

I will be there.

Tuesday, September 12, 2006

9/11/2006 IN A FOUR PAGE WRAP

Many newspapers around the world had different front pages with the 5th anniversary of the 9/11 story.

Only one wrapped the whole A section with a special four page section.

The credit of this "simple design idea" goes to Sam Hundley, projects designer at The Virginian-Pilot, who says:

It was Deborah Withey who boldly declared that my simple design idea for the 5th anniversary of 911 should be stripped bare of all nonessential information -- except for the eloquent essay by Lon Wagner -- and run as a 4-page wrap over the A section.


Terry Bishirjian, a reader, emailed this comment to the Pilot´s editors:

Subject: Stunning front page

"This is what will be lost when the V-P eventually is gobbled up by one of the mega-monsters. Brilliance, art, poetry. Communication at the deepest level. Nice job, y’all."

BYE, BYE TO THE NEW YORK TIMES BROADCASTING GROUP

Picture: The large-disc receiver and controls of the television used in the first American demonstration of television, April 7, 1927.

Today all The New York Times Company staff got this message:

Dear Colleagues,

Over the past year, we have rethought the strategy for our Company.

This has required making some very hard choices about what kind of company we
are going to be five years down the road.

Regrettably, in an era of scarcer resources, we concluded that we cannot be all things to all people, and today we are announcing that we plan to sell our Broadcast Media Group, which includes nine network-affiliated television stations and their
related properties.

The proposed sale would enable us to place an even greater emphasis on
developing and integrating our print and rapidly growing digital resources.

This makes the most sense for our Company and it will enable us to make the
best use of our considerable journalistic and financial strengths.

The stations that comprise the Broadcast Media Group are:

WHO-TV in Des Moines, Iowa (NBC);
KFSM-TV in Ft. Smith, Ark. (CBS);
WHNT-TV in Huntsville, Ala. (CBS);
WREG-TV in Memphis, Tenn. (CBS);
WQAD-TV in Moline, Ill. (ABC);
WTKR-TV in Norfolk, Va. (CBS);
KFOR-TV in Oklahoma City, Okla. (NBC);
KAUT-TV in Oklahoma City, Okla. (MyNetworkTV); and
WNEP-TV in Scranton, Penn. (ABC).

We will greatly miss our Broadcast colleagues.

They are our good friends and, over the years, they have made many substantial contributions to our Company, and wholeheartedly embraced our Core Purpose and Values.

Arthur Sulzberger and Janet Robinson.


Well, TV is having and will have bigger problems than newspapers.

You can be (you must) very active in video but you do not need to own and to manage any TV stations.

Content not conducts is our business.

Internet has become a multimedia platform for any media language, and what you need is just an "information engine."

And newspapers are, newsrooms are, journalists are, the core of the new media business.

Today´s news from the President and the CEO of the NYT Company are, indeed, good news.

UPDATE from The New York Times piece in today´s paper:

Analysts said the proposed sale seemed to be a positive move for the company.

Edward Atorino, a media analyst at the Benchmark Company, a financial research company, said it made strategic sense because the broadcast unit was not big enough to affect the company’s performance in the long term.

“It’s a business that hasn’t moved the needle much at The New York Times,’’ he said. “They’re clearly interested in expanding their Internet-related businesses, related to their core business — which is the paper — and this will give them the capital to reinvest in those areas.’’

He said the company’s purchases of the Web site About.com and Baseline StudioSystems, an entertainment information service, “show the direction they’re headed.”

Others said the proposed sale suggested a concern about the future profitability of local stations during a tumultuous time for media companies, as the Internet siphons consumers and advertisers from both print and television.

“It is a very interesting sign that shows that broadcast owners are worried about the long-term health of the station business and also that a vibrant private equity market may be willing to take a gamble on these assets,’’ said Michael B. Nathanson, a media analyst at Sanford C. Bernstein & Company. “Most public-market investors are worried about the fundamentals w
ithin local TV markets and would probably be happy if broadcast stations were sold.’’

THE NEXT OLYMPIC GAMES PICTOGRAMS

The Beijing Organizing Committee for the Games of the XXIX Olympiad (BOCOG) released the Pictograms of the Beijing 2008 Olympic Games on the occasion of the 2-year countdown to the opening of the Games.

In the same website you can compare the new and the old ones.

9/11/2006 A NEW YORK TIMES OP-CHART

The New York Times Op-Ed page had this graphic summary of the changes from the last five years.

Done by Ben Schott.

It’s been nearly five years since 9/11, but it seems like a lifetime. Certainly, a lifetime’s worth of events for America and the world — elections and insurgencies, hurricanes and tsunamis, attacks and threats of attack — have unfolded with such speed that it can be hard to sort through, or even recall, everything of consequence. The chart below is an attempt, admittedly selective and incomplete, to survey the first five years of our post-9/11 world — a world that is certainly new, though not always brave.


You can get here a pdf with the "article"

9/11/2006 NIGHT PICTURES


September 11, 2006, originally uploaded by Sister72.

9/11/2006 NIGHT LIHTS


September 11, 2006, originally uploaded by Sister72.

THE GRAPHIC 9/11 REPORT

I told you a few days ago about the graphic adaptation made by Sid Jacobson and Ernie Colon.

Slate offers here the full graphic report.

I read the full printed report and only "reading" this graphic version I was able to understand better this historical event.

When I was a teenager in Barcelona, I was a regular reader of a fantastic collection of books called Coleccion Historias, that mixed pages and comics.

My way of reading was always the same: first "reading" the graphics, then the text.

9/11/2006 FRONT PAGES (VII)

Some covers about 9/11 that were published on Sunday.

Monday, September 11, 2006

9/11/2006 PHOTO GALLERY

Via GOOD, a new magazine that I will subscribe, this amazing photo gallery.

9/11/2006 INFOGRAPHICS

The New York Times has today this two-page infographic.

Click on to see it bigger.

9/11/2006 FRONT PAGES (VI)

9/11/2006 FRONT PAGES (V)

Click on to see them bigger.




9/11/2006 FRONT PAGES (IV)


9/11/2006 FRONT PAGES (III)

9/11/2006 FRONT PAGES (II)

9/11/2006 FRONT PAGES (I)

Sunday, September 10, 2006

NEW YORK, NEW YORK

Via Carlos Valencia I see this picture from Vincent Laforet.

Tomorrow is 9/11 but New York is alive.

And I will review how the papers cover the sad anniversary.

NEW YORK MAGAZINE GREAT COVER

A preview of next week cover.

A great one.

New York magazine is back!

IS THIS A RECORD FOR THE NEW YORK TIMES?

Just landed in Newark, back from Portugal.

I got the New Jersey edition of this Sunday New York Times and I didn´t remember a bigger edition.

They have the first issue of KEY, the new real state magazine.

Beautiful product.

And the exception is, again and again, the Book Review.

This is the most insulting section ever produced by a quality newspaper.

Period.

The editor and the art director are lazy and ignorant of what is being done around the world.

Just get ACTUAL of Expresso in Portugal, BABELIA from El Pais and EL CULTURAL of El Mundo in Madrid, CULTURAS of La Vanguardia in Barcelona, or what The Guardian, The Independent and The Times do in London.

These are not just well done supplements (content and design) but versuccessfulul, as they attract a lot of readers and advertisers.

The New York Times one is trashy, has poor advertising, and, oh mny God!, shows how you can ignore your audience needs and requests.

You better go to Amazon.

UPDATE: Carin Goldberg made this key of places she has lived, using a typeface called Dynamoe that resembles the embossed letters of a classic label maker. "Love, money, work, landlords, dogs, children, marriage," she says, "all had a hand in this nomadic existence." Four years ago she bought a house in Brooklyn. "We're staying put," she says.

A brilliant, brilliant cover.

Saturday, September 09, 2006

A COLLECTOR'S ISSUE: THE NEW EXPRESSO

Many Portuguese were today unable to get a copy of this paper.

This is the new front page, designed by Javier Errea, an INNOVATION consultant, and President of the Society of News Design Spanish Chapter.

UPDATE: See 15 pages ofg the new EXPRESSO in Maquetadores.

THE NEW EXPRESSO, SOLD OUT IN FOUR HOURS

This is a picture of Nuno Botelho from the streets of Lisbon this morning.

The website of EXPRESSO tells the great news:

The 160.000 copies of the new EXPRESSO were sold out around the country in less than four hours.

What a great hit for a great paper with a front page full of exclusive stories.

I went yesterday with Carlos Soria, our President, Marta Botero and Javier Errea (the two key INNOVATION consultants in the new editorial and graphic model) to the printing plant with the directors and editors of EXPRESSO and after we had a very emotional dinner at the PUB, the traditional restaurant near to the old building of the paper, where we used to go many times more than eight years ago when we started our work for EXPRESSO.

Francisco Pinto Balsemao, the founder of EXPRESSO 33 years ago, was really happy and his final toast was very short: "We are going to win this battle!"

The battle is to remain the leading quality paper in Portugal in a time when many newspaper publishers around the world are not sure about the future of the print media.

Well, EXPRESSO has done what needs to be done: invest in the product, have better printing and full color, redesign the newsroom management, train, train, train, improve the content and design in a dramatic way, hire brilliant new people including an art director, change the editor, make strong changes on and off line, and promote them as a "new" paper will do it.

The result?

Sold out.

Friday, September 08, 2006

PREVIEW OF THE NEW EXPRESSO, A QUALITY BROADSHEET WEEKLY NEWSPAPER THAT BECOMES A FULL COLOR "BERLINER"

Here there is the first prototype of the new EXPRESSO, the weekly newspaper founded in 1973 by Francisco Pinto Balsemao, current president of the European Publishers Council and former prime minister of Portugal.

EXPRESSO has been always a newspaper icon of the new democratic Portugal.

The paper is changing in a big way: has a new editor, Henrique Monteiro, a former Harvard University Nieman Fellow, and a new Art Director, Marco Greco, ex designer of O Dia (Rio, Brazil) and Jornal de Noticias (Porto, Portugal).

Since October 2005, an INNOVATION team of consultants has been working with the editors and managers of EXPRESSO in what is considered the biggest change ever in the Portuguese press.

Carlos Soria, Juan Antonio Giner and Marta Botero, as INNOVATION directors, and Javier Errea, Eduardo Tessler, Claude Erbsen, Douglas Griffen, Patrick Garrett, Juan Ignacio Fernandez, Javier Zarracina, Ana Perez as part of the INNOVATION consultant team, were the force behind the new on and off line editorial and graphic models.

Mario Feliciano, a Portuguese typographer, did the new fonts named as "expresso", inspired in XVIII Century Iberic types, that is the only one used in the new paper with three different styles: text, headlines and sans.

The new logo named also as "expresso nameplate" is printed in reverse over a turquoise blue.

The old 8 column grid of the broadsheet is now a 30 column grid that becomes 6 columns for news, and 5 columns for features.

The new paper includes two full color main sections (news and economy), 32 pages each.

The "compact" editorial has many "quick-read" formats and new "graphic packages" that develop single issues in new narrative and creative ways.

Photo editing, illustrations and infographics are stronger than ever, and the new printing presses produce a newspaper with the quality reproduction of a magazine.

EXPRESSO will be printing tomorrow more than 160.000 copies, sold inside plastic bags (a 20 years unique tradition) that hold the two sections and two more publications, UNICA a lifestyle magazine, and ACTUAL a cultural one, plus several advertising sections and inserts.

The 160.000 "bags" will be equal to a building of 4.000 meters (almost 8 times the Sears Tower in Chicago).

And the 7 million printed pages of the hole edition will be enough to connect with a "paper bridge" Lisbon and Brasilia.

A powerful communication and promotion campaign was organized and lead by Pedro Norton, general manager of EXPRESSO, and Monica Balsemao, marketing director of the paper.

They are using: 5.500 billboards, 2.450 ATM ads, 1.500 radio spots, 200 TV spots, 100 printed ads, online banners, email messages, free DVDs during the first 8 weeks, and 7.000 posters in all the newstands of the country.

EXPRESSO has a newsroom of more than 140 journalists, and a weekly audience of more than 700.000 readers.

UPDATE: See here a photo gallery with pictures of the launching.

THE DAILY TELEGRAPH ADOPTS THE INNOVATION "INFORMATION ENGINE", "OPENS SPACE SOLAR AND RADAR NEWSROOM SYSTEM" CONCEPTS














If you see the first picture of the new "information turbine" and "open space newsroom and radar system" of The Daily Telegraph you will find many of the ideas and concepts developed by INNOVATION in recent years.

More than five years ago we said that "the old -media newspapers must become new multi-media information engines."

Juan Senor, our UK Director, will report to you his first impressions.

Read now first informations about this revolutionary newsroom and stay tuned as we will present more details in the new few days.

The Telegraph Group has unveiled details of a multi-million pound investment programme to fund its expansion at its new home in Buckingham Palace Road in the Victoria area of London.


The first images of the Telegraph's state of the art newsroom, which is close to completion on a 67,000 sq ft purpose built editorial floor, were also published yesterday.

It shows the radical "hub and spoke" layout which the group is adopting as part of the integration of its print and digital publishing interests.

Reporters and production staff from all departments will be located on the single editorial floor and will work together producing the Telegraph's website, the daily and Sunday editions of the newspaper and a range of other digital publishing products, including audio and video interviews and regular newscasts and alerts available 24-hours a day.

Murdoch MacLennan, chief executive of the Telegraph Group, said: "The huge investment is designed to make the Telegraph the cutting edge media group in the United Kingdom. It will allow us to make the utmost use of the massive opportunities offered by the digital information revolution. What we are in fact doing is to begin reshaping the face of the industry."

Integrating the production content across the full range of publishing platforms will result in a more efficient operation while ensuring the group's high editorial standards are maintained across all Telegraph output. Job losses are planned, although the extent of these is still under consideration.

Readers increasingly want content which they can consume when and where they want. The Telegraph's seamless approach to publishing will mean news, features and other information delivered to people's work desktops, their home computers, mobile phones, music players and other personal devices in addition to the Daily and Sunday Telegraph newspapers.

The migration of advertising revenues to digital media has spurred investment in new technologies so customers can enjoy more comprehensive coverage and a raft of new reader services and promotions.

The Telegraph's newsroom will be the most modern in Europe. It is the former trading floor of stockbroker Salomon Smith Barney, which moved out of Victoria to relocate in Canary Wharf with its new parent company Citigroup.

"The Telegraph – with its hallmarks of honesty, integrity and reliability – is perfectly placed to become the digital market leader in news," said Mr MacLennan.



UPDATE: Read also the interesting post of Roy Greenslade.

Thursday, September 07, 2006

MORE PAGES OF THELONDONPAPER AND ITS EDITOR SPEAKS TO THE READERS

See more inside pages of thelondonpaper in NewsDesigner.













And its editor, Stefano Hatfield, writes:

Welcome to...thelondonpaper

For today only, we are taking this space. We want to welcome you to our new free afternoon paper celebrating life in the world’s greatest city. From tomorrow, this space is yours: for your letters, texts, perhaps even columns.

We believe thelondonpaper is a different type of paper; one that actually likes the city we live in. That’s because it’s created by the self-same young Londoners who will be reading it. People who really live urban lives in today’s London. We all know the capital’s not perfect. Those of us who live and work in the city every day are all too aware of the potential unreliability of the Tube network; the paralysing gridlocks; the sheer expense and the problems London shares with all the world’s major metropolitan area – from crime to pollution, alienation to alcohol and drug problems. Despite all this, Londoners love our city for its cosmopolitan energy, its eternal creativity, its irrepressible individuality and its adamant refusal to become just like everywhere else.

We’re not the city’s spin doctors and we will tell the news as it is. But we have no political persuasion. We wouldn’t dream of suggesting a politician to vote for. That said, most of us care about social issues, such as the environment. We aim to be the forum for London debate.

We’ve tried to avoid an elitist, negative or preachy tone. We want you to have a strong voice in the paper, too. There will be fewer pontificating columnists and more opportunities for you to contribute – be it either as a model, or simply by voting to decide if a writer can return.

We’ll write as we speak and design a bright paper that reflects both the creative energy of the city and the visual era we live in. There’ll be the content you care about: the news, yes, but also style and shopping, gossip, love and dating, staying in and going out. There is property, health and beauty, jobs and travel, too.

Sometimes there will be stuff just because it’s the afternoon. We’re all tired of being in ‘work mode’, so there are games and jokes and general silliness. That goes for London sport, too. There’s a lot of fun to be found behind the headlines if we choose to look. thelondonpaper is lucky to have signed the Sky Sports rota of commentators, who marry expertise and entertainment value.

A lot of us need help in making the most of London – even if we’ve lived here all our lives. For example, how many 24-hour chemists are there? And do you really know your way around the Tube? (see thelondoninfo).

If you’re going out tonight, we can help with what, where, how and who with. We know that the choice is overwhelming, so we’ve edited down the listings to make it easier for you.

thelondonpaper.com also launches (as a beta site) today. In addition to breaking news, competitions and opportunities to contribute and vote, our website takes a broadband look at life in London with daily video coverage of news and entertainment across the city.

We’ve had an amazing time creating both the paper and the site, filled with the intensity, commitment, multicultural creativity and sheer fun and exhilaration that so characterise the city we all love. We hope you enjoy thelondonpaper and make us a part of your day.

Thank you for reading and, please, let us know about all our Londons.
theeditor@thelondonpaper.com


JAPAN IS HAPPY BUT NEWSPAPERS ARE QUITE SOBER

Princess Kiko, wife of Emperor Akihito's younger son Prince Fumihito, gave birth Wednesday to a boy, bringing the first male heir to the centuries-old throne in nearly 41 years.

The English edition of the Asahi presents the big news in a very sober maner.

Imagine the same news in Europe or America.

WEBSITES THAT DON'T WORK

Our friend Roger Black is one of the news designers of the world.

You will see one of his print designs and you will know immediately that is a Roger's one.

Now he starts his own blog and, oh, oh, you can see again that is a black, white and read Roger's one.

The only problem is that you can not, I can not, read it.

Well, try it and tell me.

READ A DIGITAL MAGAZINE AND THEN BUY THE PRINTED ONE?

In today's New York Times:

"COLLEGE students are famous for their transient ways, moving frequently and rarely leaving a permanent mailing address for magazine publishers to send subscription solicitations to.

Parsons design students could get free subscriptions to the Web version of Elle as part of a plan to attract young readers to print magazines.


For now, some magazine publishers are settling for their e-mail address.


A new digital initiative to begin this month will give away thousands of magazine subscriptions to college students, but the magazines will be delivered via e-mail, not in print.

The Magazine Publishers of America, the trade group that is sponsoring the initiative, is hoping to convert more students into magazine readers and introduce them to a digital medium that might stand up to print.


The digital edition, reached by a link within the e-mail message, is a replica of the magazine, including text, photos and advertising."

Good direction!

THE BOSTON HERALD KILLS THE STOCKS PAGE

Starting this week, the Boston Herald’s Business Today section no longer carries a stocks page.

Instead, up-to-the-minute stock and mutual fund listings are available online in the Business Today section at www.bostonherald.com.

The online service offers a market summary, alphabetical listings of companies and mutual funds as well as other services.

It allows users to create and easily access a portfolio with all the stocks and mutual funds they own or want to watch.

It keeps track of bonds, currencies and world markets.

It even has a CEO Wealthmeter so users can see which corporate bigwigs make or lose millions each day.

A MARSHALL PLAN FOR THE NEWSPAPER INDUSTRY?

Tom Mohr, who used to run Knight Ridder's digital efforts, calls out the newspaper industry in Editor & Publisher.

He posits that the newspaper industry needs the equivalent of a "Marshall Plan" and needs to get over its internal disputes and work together.

"To win, industry leaders must adopt a Marshall Plan embodying two key objectives: the migration to common platforms, and the acquisition of the ability to sell top-quality online product to our advertisers."

"It is instructive that after twelve years of the consumer web, not a single example of breakthrough online innovation has emerged out of a newspaper company.

Not in recruitment.

Not in auto.

Not in classifieds.

Not in shopping, directory, new ad models, or content aggregation."


He imagines a company, Switzerland Inc., that works on behalf of all newspapers.

"But what if 2/3 or more of the U.S. newspaper industry sits on one platform, managed by Switzerland Inc.?

What if Switzerland Inc. decides to deny Yahoo! and perhaps Google access to newspaper industry content for three months, followed by a negotiation for better terms?"


UPDATE: I asked Tom Mohr, "Why KR didn't try some of your recommentations?"

His anwser: "Great question. We should have; and would have if we had had the time."

Well, time goes by and newspaper companies are missing important trains.

Again, the Knight Ridder is going to be a historical tragedy in the US newspaper future.

Tony Ridder lost the train, for sure.

ANDERSON COOPER MEMORIES FORGETS HIS CIA'S DAYS



Via Radar:

"Anderson Cooper has long traded on his biography, carving a niche for himself as the most human of news anchors.

But there's one aspect of his past that the silver-haired CNN star has never made public: the months he spent training for a career with the Central Intelligence Agency."

Well, if you are a first class reporter, your audience perhaps expects a more accurate reporting about your own life.

CNN has right now a problem with Lou Dobbs, and now another one with Anderson Coopper.

Wednesday, September 06, 2006

BIG NEWS FROM AUSTRIA

The story of Natascha Kampusch is making today big headlines around the world.

Today's interviews in TV, newspapers and NEWS magazine are a dramatic example of how human stories are devoured by readers.

Her sweet face makes her tragic story irresistible.

You want to read, read and understand.

The Times of London has the transcript of the TV interview.

NEWSWEEK'S NEW EDITORS HAS CLEAR IDEAS

If the new editor of TIME is full of doubts, the new editor of NEWSWEEK looks more secure.

Via The Washington Post:

"Our cover is our power," says Jon Meacham, 37, that after 11 years at Newsweek, becomes the magazine's youngest editor since 1961.

"The idea that you can be either entirely analysis or entirely scoop-driven is a false choice.

We have to earn people's attention.

Reporting is at the heart of the enterprise.

We have to break news like a Web site, tell it like a monthly and do it every week."

Good points!

THE WALL STREET JOURNALS NEW AD IN THE FRONT PAGE

Yesterday, The Wall Street Journal presented its new front page with an ad.

Well, nobody cancelled its subscription and no deaths are reported in the newsroom...

It was a peaceful revolution.

And it looks to me a smart idea and a better way to improve the financials of the paper.

Better than fire more journalists.

Tuesday, September 05, 2006

THE LAST PRINT SCOOP?

In a front-page exclusive The Sun reports that Tony Blair will resign as Labour leader on May 31 next year, before stepping down as Prime Minister on July 26, 2007.

George Pascoe-Watson, political editor of The Sun, told Britain's Sky News television he would not disclose the sources of the story, and said only that his newspaper's previous predictions on the date of elections had been "absolutely bang on the money."

The Sun has previously made accurate predictions about the timing of general elections, widely suspected to have been based on inside information from Mr Blair's inner circle.

This is a brilliant scoop against all the print and online media.

As soon as the printing presses of The Sun stopped tonight to change the front page, the BBC, Sky News and all the British media realized that they have been scooped by the Murdoch tabloid.

A fantastic news that The Sun online did not break while the printing presses started to roll again in order to control the details about this exclusive story.

Well, we are perhaps seeing one of the last print newspaper scoops in history.

GOLD FOR LA VANGUARDIA'S COVER

Spain won the Basketball World Championshipe.

La Vanguardia, the leading quality paper of Barcelona has this strong cover.

The rest of the Spanish press was more conservative.

See in this blog an excellent sample of the covers.

You can be a serious and traditional quality paper, but also a passionate one.

My "gold" goes to La Vanguardia.

A NEW COVER OF THELONDONPAPER

THE NEW EXPRESSO: THE FIRST "BERLINER" IN PORTUGAL

This morning in Lisbon, EXPRESSO presented in a press conference the new EXPRESSO, the leading newspaper of portugal, that this Saturday will launch the its new design in "berliner" format, in a project lead by INNOVATION consultants that included the total re-thinking of the paper.

EXPRESSO has been since its foundation an unique phenomenon: selling each week more than 120.000 copies (all of them inside a plastic bag) in a country of 10 million people, reaches more than 700.000 readers.

This high penetration in the A & B classes, makes EXPRESSO a brilliant exception in the circulation crisis of many European and American quality newspapers.

Proportionally its circulation will be like selling 100.000 copies more than El Pais in Spain, 400.000 more copies than The Observer in the UK or 1.500.000 more copies than The New York Times in the United States.

The new EXPRESSO includes two news sections of 32 pages full color, plus two magazines, UNICA (life style) and ACTUAL (culture).

This is the first prototype of the new cover for the main news section and, above, an example of the advertising announcing the new EXPRESSO.

Monday, September 04, 2006

THE NEW LONDON NEWSPAPER WAR: FIRST REACTIONS


The UK Press Gazette reports the beginning to the London war:

"News International's new free daily for London hit the streets of the capital with a perfect late-breaking tabloid story on the front – the death of dare-devil crocodile hunter Steve Irwin.

It also had a London-based celeb story on the front with news that Babyshambles singer Pete Doherty had been spared jail again after appearing in court on drug charges.

The new paper has a distribution of 400,000 and today went head to head today for the first time with Associated Newspapers’ London Lite, which also has a 400,000 print run.

The design of the new paper owes far more to the post-Berliner Guardian than London Lite which has a more traditional tabloid feel.

London Mayor Ken Livingstone has given the new paper an interview which runs to a double-page spread. Livingstone is an outspoken opponent of Associated Newspapers, the owners of London Lite.

Editor Stefano Hatfield says in his welcome letter: “We believe thelondonpaper is a different type of paper; one that actually likes the city we live in….

“We’re not the city’s spin doctors and we will tell the news as it is. But we have no political persuasion. We wouldn’t dream of suggesting a politician to vote for. That said, most of us care about social issues, such as the environment. We aim to be the forum for London debate.”

There is a page of business news, two pages of games, two pages of style and a two-page diary/celebs section. There are only two pages of TV guide, compared with four pages in London Lite, and nine pages of entertainment listings.

The launch edition had two pages of health, a page of useful “London info”, a page called “thelondonlove” about dating and six pages of sport.

The first impression of one young professional Londoner were: “It’s smartly designed, with fairly over nods to the Guardian I think. There’s a good listings section, and it appears to be a lot more London-centric than London Lite.

“I found it surprisingly informative for a free. On first impressions I think I definitely prefer it to London Lite.”


UPDATE: BBC news reports the free paper revolution: Free weekly newspapers have been around for years, but the launch of London's third free daily on Monday is further evidence that the public seems less inclined to pay for their news fix.

THE SOUL SEARCHING OF TIME MAGAZINE CONTINUES

The new editor of TIME magazine speaks today to The New York Times:

“We’ve traditionally been a mirror, and to me, we more and more have to be a lamp,” Mr. Stengel said, invoking the title of the study of Romantic literature by M. H. Abrams. “As a lamp, you’re shining a light on something.”

"One possible flaw with this plan is that the common Washington tactic of releasing politically damaging news late on Friday would mean that some news would be too late for the current issue of the magazine. Mr. Stengel said he wasn’t worried.

“How much of that bad news on Friday afternoon do we have in the magazine on Monday? Not much, really,” he said. “That’s why the Internet was invented.”

BRAZILIAN NEWSPAPER EDITORS LEADING THE ATTACK TO GOOGLE AND YAHOO!

Via Brazil News Net I read today in Lisbon this news from Sao Paulo:

"The Brazilian press knows it is not going to be a walk in the park, but this is not preventing it from taking on Internet search giants like Google, Yahoo, and MSN.

What the owners of newspapers in Brazil want is their share of the billions those companies get for indexing all the content, news and opinion pieces, they produce day in and day out at high cost.

It was the just-reelected president of Brazil's Newspapers National Association (ANJ), Nelson Sirotsky, who announced at the closing of the 6th Brazilian Newspapers Congress that he is going to try to engage in a dialogue with Brazilian and international search engine companies.

Sirotsky is not talking about any lawsuit at the moment, but he isn't discounting this possibility either. Another item disclosed by the ANJ's honcho is that his association will soon start a program to raise the interest of school children in reading newspapers.

According to Sirotsky, what the Internet search companies are doing is embezzlement since they are presenting material they didn't produce themselves and then fraudulently keeping money that doesn't belong to them. Sirotsky doesn't want, however, to close these indexing services as long as they share the money they are making with the content producers."

EXPRESSO announced this week the opposite strategy: the IMPRESA Group, the leading media company of Portugal is ready to sign an agreement with Google.

My feeling is that the confrontation will not help newspapers.

The Google's and Yahho's of the world need us as partners not as competitors.

I will give you more details in the next few days.

Sunday, September 03, 2006

O INDEPENDENTE GOES OUT OF BUSINESS

This Friday, O INDEPENDENTE, the weekly newspaper in Lisbon published its last issue.

Founded in May 1988 by Miguel Esteves Cardoso, who became its first editor, and Paulo Portas, who succeeded him in 1990 and served until 1995, when he left to run for office as a conservative politician.

Unfortunately, I have the feeling that it will not be the last casualty in the Portuguese newspaper market.

THE NEW BERLINER EXPRESSO

I am flying today heading to Lisbon, Portugal.

INNOVATION is launching next week the new Berliner format of EXPRESSO, the leading paper of Portugal.

After almost one year of consulting work, Carlos Soria, Marta Torres, Marta Botero, Javier Errea, Javier Zarracina, Eduardo Tessler and Juan Ignacio Fernandez have done a super job, working under the leadership of Henrique Monteiro (editor), Pedro Norton (general manager), Monica Balsemao (marketing director) and a fantastic team of editors and reporters.

This weekend, Francisco Pinto Balsemao, founder of EXPRESSO, and former PM of Portugal, is reading the last issue in the broadsheet format.

Next Saturday readers and advertisers will be able to see the new EXPRESSO, but in this blog we will show you some of the prototypes.

THE GUARDIAN AND RZECZPOSPOLITA, SND BEST DESIGNED NEWSPAPERS OF THE YEAR

This annual award is very controversial.

I have been once a member of the jury and you can only vote the newspapers that have enter the competition.

This makes the award very biased.

If the SND gives every year more design awards than needed and deserved (the income of the SND depends mainly on the revenue generated by the entry fees), this year at least there were two good news:

First, no Gold awards were given (bad por the industry, good for the competition).

Second, only two newspapers were selected as the best designed newspapers of the world, and no one of them was an American paper, a trend that started when I was member of that jury.

But, again, the judging system has big problems.

In this competition, while a jury selected Rzeczpospolita as one of the best designed newspapers of the year, another jury in the same competition gave only an award of excellence (no Silver, no Gold) to the same paper!

Well, let me add a final comment: in the past, INNOVATION was asked to relaunch two newspapers that had serious circulation problems, and before we start our work we and the clients got the shocking news that both newspapers were awarded as some of the best designed newspapers of the world...

Enjoy this slide show with pages of the two last winners.

SND CODE OF ETHICS

The Society for News Design's Proposed Code of Ethical Standards:

Preamble: As members of the Society for News Design, we have an obligation to promote the highest ethical standards for visual journalism -- for all journalism -- as they apply to the values of accuracy, fairness, honesty, inclusiveness, and courage.

Accuracy

Accuracy is the indispensable value in journalism and must not be compromised. We must deliver error-free content, across all our media platforms. We must ensure that our content is a verifiable representation of the news and of our subjects. We promise never intentionally to mislead those who depend upon us for public service. We will correct errors promptly and prominently. We must be as accurate with our colleagues as we are with our audiences.

Honesty

We value original thought and expression. Our work will be free from fraud and deception -- that includes plagiarism and fabrication. We will attribute content and honor copyrights. We will strive to keep news content free of special interests, inside or outside the news organization. We embrace the value of transparency, disclosing the thinking behind key decisions -- from a credit line up to an editor's note on the front page.

Fairness

We must be scrupulously fair. We recognize that our work can have great impact on the subjects we cover and therefore we must respectfully balance that against the public's need to know. Even when it is impossible to avoid harm in the pursuit of truth telling, we will work hard to minimize that harm. We will listen to our critics. Our judgment in these matters must be based on our sense of right and wrong in a manner consistent with our professional values.

Inclusiveness

We will remain vigilant in our quest to combat prejudice and lead needed reforms. We will avoid stereotypes in reporting, editing, presentation, and hiring. Diversity, broadly defined, will be a hallmark of our work. We accept the responsibility to understand our communities and to overcome bias with coverage that is representative of the constituent groups in the community. Over time, all groups, lifestyles, and backgrounds should see themselves and their values represented in the news.

Courage

Journalists need moral and, at times, physical courage to fulfill their responsibility to serve the public. It takes courage to stand behind values such as accuracy, honesty, fairness and inclusiveness. Such courage is necessary to achieve personal integrity and build credibility. This includes the courage to step beyond rigid boundaries. We must test conventional thinking explore innovative story-telling to help changing audiences understand an increasingly complex world.

Logic and literalness, objectivity and traditional thinking have their important place, but so must imagination and intuition, responsible creativity and empathy.

Saturday, September 02, 2006

THE SOCIETY OF NEWS DESIGN PRESENTS TONIGHT IT ANNUAL AWARDS

Tomorrow I will tell you about why the SND for the first time ever, has not awarded any Gold.

But Newsdesigner.com presented its gold to this fake cover of The New York Times.

THE WHITE HOUSE DOES NOT SUBSCRIBE THE GUARDIAN


Via escolar.com, a must-read Spanish blog, I saw this clever ad for the weekly edition of The Guardian.

Well, I am sure that The White Housee reads online the daily edition.

You can or not agree with its views, but The Guardian is today what INNOVATION calls "a necessary newspaper."

THE AERON CREATOR IS DEAD

Bill Stumpf, the designer who revolutionized office seating by creating the first mass produced ergonomic chairs for Herman Miller Inc., including the iconic Aeron, died Wednesday.

The products Mr. Stumpf designed changed the office and made it a more comfortable place to work.

I am seating in one of them and, yes, is a great chair.

Thank, Mr. Stumpf!

And to my Detroit friend, Dennis Vankeersbilck, who recommended me this chair.

LESS IS MORE: A STYLE GUIDE FOR MTV

A styleguide for people who don’t like styleguides.

Via Life Clever:

Most major corporations have strict guidelines detailing how their logos should be used.

Some can be cumbersome, espousing rules for everything from minimum size requirements to how it should look on the back of a gas guzzling 4x4.

The GE styleguide, for example, is a tome at over 300 pages.

But the MTV’s International Styleguide is just one page!

Friday, September 01, 2006

LE MONDE REVIEWS THE NEWSPAPER CRISIS

The French press is in the couch.

Today Le Monde reviews the crisis.

The verdict is funny:

The bad boys are the usual suspects: the State, the Government, the Unions, the Distribution System, bla, bla, bla...

And there is no mention to the old fashion to cover and present the news.

Readers are deserting newspapers not because Internet, but because they don't find anything different on print, anything better, any add value for their money.

As simple as that.